Film / Reviews Dec 2, 2021
‘Ruined’: Fury fuels a mission for retribution
Minori Hagiwara gives a compelling performance as a young woman who returns to her hometown to get answers and revenge in Taro Miyaoka’s “Ruined.”
Minori Hagiwara gives a compelling performance as a young woman who returns to her hometown to get answers and revenge in Taro Miyaoka’s “Ruined.”
Norman England's new book, "Behind the Kaiju Curtain," gives an insider's take on Japan's kaijū craftsmanship and monster movie-making.
Takeshi Murayama’s stylish first feature about somewhat intertwining lives in Tokyo looks like a slick music video, but its characters are mostly two-dimensional.
With “Come and Go,” which explores life in Osaka through a kaleidoscope of perspectives, director Lim Kah Wai shows how Japan’s population is not as homogenous as many believe.
Director Lim Kah Wai’s final installment of his Osaka trilogy is a compelling ensemble drama that reflects the diversity of nationalities and lifestyles that coexist in the city.
Yoshihiro Mori’s film about broken dreams and lost love meticulously recreates Tokyo as it was in the 1990s, and its two leads deliver finely nuanced performances.
Naoto Kataoka of pop group Exile takes on his first leading role in Sabu’s ghostly rom-com/actioner, but the film’s mix of genre elements doesn’t quite gel.
Natsuki Nakagawa’s first feature focuses on two mirroring student-teacher love affairs and edges on the melodramatic while being anchored by strong performances from its leads.
The in-demand veteran actress will serve as ambassador at Tokyo International Film Festival's 34th iteration.
In Rikiya Imaizumi’s latest film, newcomer Sara Shida gives a centered performance as an artsy teen coming to terms with her father’s new relationship and her mother’s reappearance.